I Came To Terms With Living Mostly

Last House Offended A Lot Of People. The Results In The Theaters, Even In Boston, Reminded Me A Bit Of Things From When I Was Studying Theater Of The Absurd, And The Rise And The Appearance Of Ionesco Plays, And Things Like That. Thinking, "my God, People Actually Are Getting Into Fistfights. People Are Having Heart Attacks. People Are Actually Trying To Get Into The Projection Booth To Destroy The Print."

Many, Many Things Are Dangerous In Our World, Commercials And Tv Are Dangerous, And So Is The World Of Sitcoms. But Nobody Does Anything About Them Because They're Turning In Alot Of Money.

I Realized That I Really, Almost By Accident, Had Fallen Into A Labyrinthine, Very Powerful Paradigm For Dealing With These Things Through Genre Films. And Once I Realized That And Realized The Power Of It, And The Fact That Because Horror Films Aren't, In General, Studio Products - Studios Back Them Sometimes, But They Don't Try To Meddle Too Much, Because They Kind Of Don't Want To Sully Their Skirts - You Have A Lot Of Freedom.

I've Done A Few Interviews Where I Realized That 9/11 Was The Ultimate Home Invasion, Not To Be Glib About It. You Know, Where The Place That You Think Is Safe And The People That You Think Are Safe And Far From Evil Are Suddenly Just Slaughtered By It, And You Have No Control Over It.

I Wrote, I Think, Half A Dozen Films That Were Completely Out Of Genre. Comedies, Love Stories, Even One Serious Film About Vietnam, And We Couldn't Get Backing For Any Of It. And We Both Sort Of Drifted From Making, At That Time, Serious Money On Last House To Going Through It All In The Course Of Almost Three Years And Only Getting Offers To Do Something Scary Again.