I Became A Film Director, But I

Certainly, It Includes That. I Want The Story To Be Interpreted In As Many Ways As Possible, And Of Course, The Bad Blood Aspect Of It Included. For Instance, Perhaps This Is A Story Not About The Hereditary Nature Of Evil, But Rather You Could Interpret It From A Different Perspective, Too.

There's A Humble Beauty About Listening To Period Instruments That I Like.

In Korea Is What I Do Is I Watch The Playback Of Each Take With All Of The Actors And Spend A Lot Of Time Discussing Each Take. Also, I Use The Process We Call Auto-assembly Because I Storyboard My Entire Film Right At The Beginning, Even Before Pre-production Ever Begins, So My Vision Is Already Laid Out On The Storyboard For Everybody To Share. It Enables The On-set Assembly Person, As We Call Them, To Cut Together Each Take Into A Sequence. This Enables A Director To Review The Take Within The Context Of The Sequence Of The Scene.

I Am Not Going To Do A Film Based On A Bad Scenario Just To Make A Big Hollywood Film Or Work With Hollywood Stars.

I Have Always Meticulously Storyboarded My Films From Beginning To End.