I Always Felt Like I Was Meant

I'm Scared Of Boogers. If Anyone Ever Showed Me A Booger I'd Smash Their Face In.

My Body Is My Journal, And My Tattoos Are My Story.

I Really Approached The Film As If It Was A White Big Piece Of Paper And I Was Going To Draw A Picture On It. And Whether That Picture Was Good Or Bad, Whatever People Thought Of It, What They Could Never Take Away Was That It Was My Picture.

I Went Through Various Stages In My Childhood, As We All Do, Various Stages Of Obsessions With People And Things. And I Did. I Wanted To Be The First White Harlem Globetrotter.

I Think Kids, In General As An Audience, Are The Way Forward Because They're Not Sort Of Sullied By Intellectual Expectation Or This Or That. It's A Very Pure Kind Of Response To The Work.