Horror Films Don't Create Fear. They Release

I Love The Fact That A Lot Of My Audience Is People From The Inner City. African-americans Love My Films. Whenever I Go To Have A Meeting At Universal, The Security Guard Just Leaps To His Feet And Comes Over, Bumps My Hand, And Says, "thank You! Thank You, I Love Your Films!" And It's People Who Are Kind Of At The Cutting Edge Of Life And Survival, And Being Near The Nitty-gritty, Who Like My Films, And I Like That.

It's Quite Rare That You Make Something And Think That You Did Something That No-one Else Had Done.

I Think The Important Thing About Staying Creative And Staying Sharp And Original Is Not To Look Back Too Much, And To Kind Of Look To Where Your Vision Is Going Now. But I Have Felt Over The Years A Definite Progression Or Arc From Feeling Guilty About What I Had Done With The First One, Because Certainly There Was All That Fundamentalist Guilt That Came Pouring Back In. Feeling Like I'd Done Something Horrible, "i'm A Despicable Person And I'm Perverse," And All These Things, To A Sense Of The Power And The Necessity, In A Sense, Of Horror Films And Dealing With Dark Material.

You Can Look At What's Happened To America In The Last Years And Say A Lot Of People Were Asleep. A Lot Of People Were Not Staying Awake And Watching What Was Going On And Facing The Pain Of That And Dealing With It.i Don't Care If The Rest Of The Audience Doesn't Think Along Those Lines At All, Because The Audience Is A Huge Spectrum Of People, From People Who Are Introspective To People Who Just Want To Be Scared And Have Fun, And All The Points In Between.

When I Was A Kid, I Was Taken To Something Called Telenews In Cleveland By My Best Friend's Father. My Own Father Was Gone By The Time I Was 5, I Think, But This Man Would Take Us To Telenews At The End Of World War Ii, And We'd Watch All These Newsreels. I'd Seen Real Stuff. That Kind Of Stuck In My Mind.