History Is The Lies Of The Victors.

I'm A Novelist, So I Can't Write About Ideas Unless They're Attached To People.

You Can't Have A Novel Without Real, Believable People, And Once You Get Into Either Too Theoretical A Novel Or Too Philosophical A Novel, You Get Into The Dangers That The French Novel Has Discovered In The Past 50 Or 60 Years. And You Get Into A Sort Of Aridity. No, You Have To Have Real, Identifiable People To Whom The Reader Reacts In A Way As If They Were Real People.

When You Read A Great Book, You Don’t Escape From Life, You Plunge Deeper Into It. There May Be A Superficial Escape – Into Different Countries, Mores, Speech Patterns – But What You Are Essentially Doing Is Furthering Your Understanding Of Life’s Subtleties, Paradoxes, Joys, Pains And Truths. Reading And Life Are Not Separate But Symbiotic.

When You’re Young You Prefer The Vulgar Months, The Fullness Of The Seasons. As You Grow Older You Learn To Like The In-between Times, The Months That Can’t Make Up Their Minds. Perhaps It’s A Way Of Admitting That Things Can’t Ever Bear The Same Certainty Again.

What Is The Easiest, The Most Comfortable Thing For A Writer To Do? To Congratulate The Society In Which He Lives: To Admire Its Biceps, Applaud Its Progress, Tease It Endearingly About Its Follies.