For Example, In My Dorm, At The

How The Visual World Appears Is Important To Me. I'm Always Aware Of The Light. I'm Always Aware Of What I Would Call The 'deep Composition.' Photography In The Field Is A Process Of Creation, Of Thought And Technique. But Ultimately, It's An Act Of Imaginatively Seeing From Within Yourself.

I Did A Story For The Geographic On Meriwether Lewis And William Clark, And Stephen Ambrose Was The Writer. He Said, "i've Got The Easiest Job In The World. I Just Have To Re-tell The Story Of The Greatest Fishing, Camping, Hunting, Canoeing Trip Of All Time. You, Sam, Have The Hardest Job, Which Is, Pretend Like Nothing Has Happened In The Last 200 Years.

My Least Favorite Photographer To Have Would Be Myself. Someone Who Wanted A Career At National Geographic. Because It's Almost Mathematically Impossible To Achieve That.

As I Have Practiced It, Photography Produces Pleasure By Simplicity. I See Something Special And Show It To The Camera. A Picture Is Produced. The Moment Is Held Until Someone Sees It. Then It Is Theirs.

There Are Grander And More Sublime Landscapes - To Me. There Are More Compelling Cultures. But What Appeals To Me About Central Montana Is That The Combination Of Landscape And Lifestyle Is The Most Compelling I've Seen On This Earth. Small Mountain Ranges And Open Prairie, And Different Weather, Different Light, All Within A 360-degree View.