Every Time I Get On An Airplane

The Situation They [journalists And Edward Snowden] Were In Was Incredibly Heightened. The Stakes Were High. There Was A Lot Of Pressure, A Lot Of Tension, A Lot Of Sense Of Claustrophobic, Clandestine Energy That I Think Was Exhilarating For Us To Explore And Recreate. We Were Fortunate To Shoot A Fair Amount Of Our Stuff At The Actual Hotel Where It All Happened In Hong Kong. That Added Another Element Of Very Similitude To The Situation, So I Feel Like It Was Exciting.

I Probably Get Eight Straight Hours Of Acting In An Entire Season Or Two Seasons Of Suits. It's Broken Into Such Small Pieces.

J.c. [chandor] Was The Kind Of Energy We Were Looking For, So We Decided To Get Behind It With All Of Our Effort. That Was The Beginning Of Our Relationship With First-time Feature Directors, And That's When It Became Really Important To Us, Watching Them Thrive And Grow In A Creative Environment In Which You Can Do That Was Really Key. Also His Work Checked All The Boxes, Because It Was Socially Relevant And Intellectually Driven, And Creatively Exciting.

I Also Feel Like The Kinds Of Jobs I Want Right Now - I Consider Them Aspirational. I Want To Raise The Bar For Myself, And I Am In This Interesting Spot Where I Do Get Offered A Lot Of Things, But Frankly, The Majority Of The Things I Get Offered I'm Not Really Interested In Doing. I Want To Do The Things That I Have To Fight For.

I Found Myself In A Pattern Of Being Attracted To People Who Were Somehow Unavailable, And What I Realized Was That I Was Protecting Myself Because I Equate The Idea Of Connection And Love With Trauma And Death.