We [with Neal Dodson And Corey Moosa]

I'm A Big Believer In The Notion That Our Greatest Potential Lies In Our Darkest Parts. To A Certain Extent It's Only In Facing Those Parts Of Ourselves That We Can Truly Grow, And I Think That's True Of All Of The Characters I've Played, Certainly In The Past Few Years.

I Think It's Always Good When You're Able To, As An Actor, Allow Your Work To Be Some Kind Of A Conduit For Social Discourse, And An Examination Of Where We Are, As A Society.

Maybe It's Because It's Connected To My Childhood, Or It's Connected To The Origins Of What Drove Me Creatively, But I Feel Like My Life Never Makes More Sense Than When I'm In That Process.

I Knew I Needed A Partner. I Needed Someone Who Could Focus On And Spearhead The Business Side Of Things, And [neal Dodson] Was Great At That. That's How It Started.

We Did Monologues And Scenes, And New York I Did A Scene From Amadeus And A Monologue From Pounding Nails In The Floor With My Forehead By Eric Bogosian, And Then In L.a. I Switched The Scene To This Is Our Youth And Did The Same Monologue. I Was Spiky-haired, Super Skinny. A Lot Of People Were Like, "you Should Come Here And Do A Sitcom." That Was The Feedback That I Got. Obviously It Was Quite A Different Journey Than The One I've Actually Had, But I Just Listened To People.