Every Set Up That You Do, Everything

It's Important Not To Indicate. People Don't Try To Show Their Feelings, They Try To Hide Them.

A Lot Of Young Actors Have The Idea That, "i've Got To Do This Right. There's A Right Way To Do This." But There's No Right Or Wrong. There's Only Good And Bad. And "bad" Usually Happens When You're Trying Too Hard To Do It Right. There's A Very Broad Spectrum Of Things That Can Inhibit You. The Most Important Thing For Actors - And Not Just Actors, But Everybody - Is To Feel Loose Enough To Create What You Want To Create, And Be Free To Try Anything. To Have Choices.

You Never Know What You Do That Could Be Totally Out Of Left Field, Which Actually Might Work And Give Something Fresh To The Whole Scene, To The Character, Whatever. If You Have That With A Director Who Then Knows How To Shape It, Either In The Direction, In The Moment, Or In The Editing, Then That's Good.

There's Nothing More Ironic Or Contradictory Than Life Itself.

I Didn't Have A Problem With Rejection, Because When You Go Into An Audition, You're Rejected Already. There Are Hundreds Of Other Actors. You're Behind The Eight Ball When You Go In There.