Every Picture One Paints Involves Not Painting

Every Picture One Paints Involves Not Painting Others.

The Problems Of Inventing A New Language Are Staggering. But What Else Can One Do If One Needs To Express One's Feeling Precisely?

Every Intelligent Painter Carries The Whole Culture Of Modern Painting In His Head. It Is His Real Subject, Of Which Everything He Paints In Both An Homage And A Critique, And Everything He Says Is A Gloss.

For A Hundred Years, Modern Painters, Stubbornly And In The Face Of Incessant Hostility, Have Moved, Step By Step, Leaving Superb Monuments By The Wayside, Towards An Art Of Arrangement Whose Expressiveness Depends Less And Less Upon Its Elements Imitating The Objects Of The External World.

I Feel Most Real To Myself In The Studio.