Each Brushstroke Is A Decision.

The Main Thing Is Not To Be Dead.

In The End I Realize That Whatever Meaning That Picture Has Is The Accumulated Meaning Of Ten Thousand Brushstrokes, Each One Being Decided As It Was Painted.

Each Brushstroke Is A Decision.

I Have Been Continuously Aware That In Painting, I Am Always Dealing With... A Relational Structure. Which In Turn Makes Permission 'to Be Abstract' No Problem At All.

The Abstractness Of Modern Art Has To Do With How Much An Enlightened Mind Rejects Of The Contemporary Social Order.