Each Brushstroke Is A Decision.

What Could Be More Interesting, Or In The End, More Ecstatic, Than In Those Rare Moments When You See Another Person Look At Something You've Made, And Realize That They Got It Exactly, That Your Heart Jumped To Their Heart With Nothing In Between.

In Printmaking, I Essentially Use The Same Process As In Painting With One Important Exception ... To Try, With Sensitivity To The Medium To Emphasize What Printing Can Do Best ... Better Than Say, Painting Or Collaging Or Watercolour Or Drawing Or Whatever ... Otherwise, The Artist Expresses The Same Vision In Graphics That He Does In His Other Work.

To Pick Up A Cigarette Wrapper Or Wine Label Or An Old Letter Or The End Of A Carton Is My Way Of Dealing With Those Things That Do Not Originate In Me, In My I.

One Of The Most Striking Aspects Of Abstract Art's Appearance Is Her Nakedness, An Art Stripped Bare.

I Dislike A Picture That Is Too Suave Or Too Skilfully Done. But, Contrariwise, I Also Dislike A Picture That Looks Too Inept Or Blundering.