Every Jackass Going The Roads Thinks He

Ireland Is The Old Sow That Eats Her Farrow.

The Personality Of The Artist, At First A Cry Or A Cadence Or A Mood And Then A Fluid, And Lambent Narrative, Finally Refines Itself Out Of Existence, Impersonalises Itself, So To Speak. The Aesthetic Image In The Dramatic Form Is Life Purified In And Reprojected From The Human Imagination. The Mystery Of Aesthetic Like That Of Material Creation Is Accomplished. The Artist, Like The God Of The Creation, Remains Within Or Behind Or Beyond Or Above His Handiwork, Invisible, Refined Out Of Existence, Indifferent, Paring His Fingernails.

Michael Robartes Remembers Forgotten Beauty And, When His Arms Wrap Her Round, He Presses In His Arms The Loveliness Which Has Long Faded From The World. Not This. Not At All. I Desire To Press In My Arms The Loveliness Which Has Not Yet Come Into The World.

And Jesus Was A Jew Too. Your God. He Was A Jew Like Me. And So Was His Father.

Heart Of My Heart, Were It More, More Would Be Laid At Your Feet.