Ever Since The Greek Tragedies, Artists Have,

The True Content Of A Photograph Is Invisible, For It Derives From A Play, Not With Form, But With Time.

Malevich, Lissitsky, Kandinsky, Tatlin, Pevsner, Rodchenko... All Believed In The Social Role Of Art... Their Works Were Like Hinged Doors, Connecting Activity With Activity. Art With Engineering; Music With Painting; Poetry With Design; Fine Art With Propaganda; Photographs With Typography; Diagrams With Action; The Studio With The Street.

All Nationalisms Are At Heart Deeply Concerned With Names: With The Most Immaterial And Original Human Invention. Those Who Dismiss Names As A Detail Have Never Been Displaced; But The Peoples On The Peripheries Are Always Being Displaced. That Is Why They Insist Upon Their Continuity - Their Links With Their Dead And The Unborn.

Autobiography Begins With A Sense Of Being Alone. It Is An Orphan Form.

Landscapes Can Be Deceptive. Sometimes A Landscape Seems To Be Less A Setting For The Life Of Its Inhabitants Than A Curtain Behind Which Their Struggles, Achievements And Accidents Takes Place. For Those Who Are Behind The Curtain, Landmarks Are No Longer Only Geographic But Also Biographical And Personal