Even When Our Death Is Imminent, We

I Start With An Image, Then I Go From The Image Toward Exploring The Situation. Then I Write A Scene, And From The Scene I Find The Character, From The Character I Find The Larger Plot. It's Like Deductive Reasoning - I Start With The Smaller Stuff And Work Backward.

I'm Certainly Very Influenced By What You Would Call 'contemporary Headline Horror,' Stuff That Is True Crime Or For One Reason Or Another Catches Our Attention In The Media, Those Strange Cases That We End Up Obsessing About. I'm Always Influenced By Weird Anecdotes And News.

Sometimes He Thinks That If He Could Only Trace The Path Of His Life Carefully Enough, Everything Would Become Clear. The Ways That He Screwed Up Would Make Sense. He Closes His Eyes Tightly. His Life Wasn't Always A Mistake, He Thinks, And He Breathes Uncertainly For Awhile, Trying To Find A Pathway Into Unconsciousness, Into Sleep.

The Kind Of Person I Find Myself Interested In Is A Cross Between Being Very Emotionally Complex And Very Immature. That's What I Felt I Was Like When I Was Younger.

I Was Worried That, As A College Teacher, If I Wrote Too Much About Intergenerational Sex My Students Would Be Creeped Out.