Even If We Die At 100, We're

I Make Comedies And I Always Try... I Don't Try But I Allow To Have At Least 5% Of The Jokes Or Have Some Jokes That I Know Will Be Understood By Only About 5% Of The Audience. It's That Guy In The Corner Who Gets It And Laughs. But He Has To Have His Jokes Too. That's Part Of My Audience. Part Of My Audience Is The People Who Will Only Get Certain Things.

I've Always Approached Screenplays And So Forth With, "how Would It Really Happen?" Not "what's The Movie Version?" But "what's The Real-life Version?" Then I Just Follow My Nose.

A Lot Of Documentaries Have Been Made Very Quickly, But I Think They're Like Frogs In An Ecosystem: They're Harbingers. Film Is Always Two Or Three Years Behind, Because It Takes So Long To Write A Script, Get Financing, And Get It Made. It Just Takes A While. But I Think It's Coming. It Has To.

I Think That Peter Jennings Is The Only Decent One Of The Big Three.

I Don't Think So Much About Verbal Comedy. I Always Think About Visual Comedy. I Was Raised Watching Silents, And I'm Always Thinking About How To Make Cinema, Not Good Talking - Although I Want Good Talking. I'm Much More Interested In Framing, Composition, And Orchestration Of Bodies In Space, And So Forth. My Goal Is Always What Chuck Jones Wanted His Warner Brothers Cartoons To Be, Which Was If You Turn Down The Sound, You Could Still Tell What's Going On. I Think If You Watch Most Of My Films With The Sound Off, You Could Still Tell What's Going On.