Entropy Theory, On The Other Hand, Is

The Dance, Just As The Performance Of The Actor, Is Kinesthetic Art, Art Of The Muscle Sense. The Awareness Of Tension And Relaxation Within His Own Body, The Sense Of Balance That Distinguishes The Proud Stability Of The Vertical From The Risky Adventures Of Thrusting And Falling--these Are The Tools Of The Dancer.

All Perceiving Is Also Thinking, All Reasoning Is Also Intuition, All Observation Is Also Invention.

But Art Not Only Exploits The Variety Of Appearances, It Also Affirms The Validity Of Individual Outlook And Thereby Admits A Further Dimension Of Variety. Since The Shapes Of Art Do Not Primarily Bear Witness To The Objective Nature Of The Things For Which They Stand, They Can Reflect Individual Interpretation And Invention.

No Longer Can We Consider What The Artist Does To Be A Self-contained Activity, Mysteriously Inspired From Above, Unrelated And Unrelatable To Other Human Activities. Instead, We Recognize The Exalted Kind Of Seeing That Leads To The Creation Of Great Art As An Outgrowth Of The Humbler And More Common Activity Of The Eyes In Everyday Life. Just As The Prosaic Search For Information Is "artistic" Because It Involves Giving And Finding Shape And Meaning, So The Artist's Conceiving Is An Instrument Of Life, A Refined Way Of Understanding Who And Where We Are.

Rather Than Be Asked To Abandon One's Own Heritage And To Adapt To The Mores Of The New Country, One Was Expected To Possess A Treasure Of Foreign Skills And Customs That Would Enrich The Resources Of American Living.