Connubial Because With Alarming Accuracy She’d Been

Bring To Me, It Said, Continual Proof / You've Been Alive.

What Feeling Feels Like Over Time. An Attempt To Screw Up What Feeling Feels Like Over Time. Heartbreak And A High C.... The Often Welcome Melodic Lie.... The Soul's Undersong. The Orchestration Of Randomness, A Flirtation With The Boundaries Of Silence And Space.... A Reminder That The Self Wants To Disappear, Be Taken Away From Itself And Returned.

I Wrote Poetry For Seven Or Eight Years, Maybe Longer, Before I Could Say I Was A Poet. If People Asked, I'd Say I Wrote Poetry; I Wouldn't Go Further. I Was In My Mid- To Late-thirties Before I Felt That I Was A Poet, Which I Think Meant That I Had Begun To Embody My Poems In Some Way. I Wasn't Just A Writer Of Them. Hard To Say What, As A Poet, My Place In The World Is. Some Place Probably Between Recognition And Neglect.

The World Is Always Somewhat Vicious. I Take That As A Given, But At Various Times In Various Circumstances That Fact Will Be No More Than A Shadow Or An Echo Behind Some Poem. Other Times It Will Be More Manifest. I Try To Write Myself Into Articulations Of Half-felt, Half-known Feelings, Without Program. I'm Always Working Toward Getting My World And, Hopefully, The World Outside Of Me Into A Version That Makes Sense Of It. Viciousness Requires The Same Precision As Love Does.

There's A Certain Pleasure In Violating The Strictures Of Your Education. The Trick Is, If You're Going To Explore Ideas In A Poem, To Be Suspicious Of Ideas And Suspicious Of Your Own Mind At The Same Time. It's Often A Matter Of Orchestration And Pacing. Of Shaping Some Kind Of Dialectic Flow.