Comics Seldom Move Me The Way I

It's Much More Liberating As A Artist To Feel Like You Can Approach Each Page And Each Panel With The Way That Inspires You The Most. I Think The Thing That Bogs Down A Lot Of Artists Is That You're Kind Of Stuck Drawing In A Style You've Developed.

It's Hard To Tell If Anyone's Interested In Reading A Serialized Story. But It's Interesting To Put In A Cliffhanger Each Week. That Was Popular In Old Comic Strips. They'd Write A Weekend Story Different From The Daily Strip. So People Follow One Story Day To Day, And A Separate Story On Weekends. If You Read Them, You Think "i'll Read Two More." Then You're Like "i Gotta Find Out!" And You Read 500 More.

Alfred Hitchcock Talked About Planning Out His Movies So Meticulously That When He Was Actually Shooting And Editing, It Was The Most Boring Thing In The World. But Drawing Comics Isn't Like Shooting A Movie. You Can Shoot A Movie In A Few Days And Be Done With It, But Drawing A Comic Takes Years And Years... That's The Biggest Part Of Doing Comics: You Have To Create Stuff That Makes You Want To Get Out Of Bed Every Morning And Get To Work.

I'm Usually The Last To See My Influence In Other People's Work. People Give Me Stuff And Say "oh Look, This Guy's Ripping You Off," And I'm Like "what Do You Mean?" Often I See The People That I've Ripped Off Filtered Into My Own Work. In Other People's Work, I Can Only See Specific, Tiny Little Instances Of Inflections Stolen From Another Artist.

All I Can Say On The Guilford Story - And This Comes More From My Perspective As A Father Than An Artist - Is For Parents And Administrators To Give So Little Value To The Career Of A Public-school Teacher - To Allow Him To Be Cast Aside Without Exhausting Every Avenue To Resolve The Issue - Is An Obscenity Worse Than Anything I've Ever Drawn In My Comics.