By Reason Of Weird Translation, Many Such

There Would Seem To Be A Limit, Even For An Art Preoccupied With Boundaries And Transgressions, Beyond Which A Work Reaches Its Breaking Point And Becomes An Actual Failure, A Mere Experimentation.

Questioning The Nature And Implications Of Liminal Instances Necessarily Involves Failure, If Only In The Specifically Technical Sense Of Entering Spaces Where Prevailing Criteria Of Success Scarcely Apply.

When I Left Europe In 1987 I Did So With The Thought That My Relevance As A Composition Teacher Would Benefit From A Certain Cool Distance To Certain Tendencies I Had Been Observing For Several Years With Increasing Disquiet.

In My Model, Important Interference Phenomena Arise When Individual Strata Come Into Contact. These Chaotic Fluctuations Are, I Suppose, What My Music Is Really About.

It Is Still True That It Is Easier To Compose A Poem In The Form Of A Manual For Adjusting A Vcr Than It Is To Write A Piece Using Just Tuning As A Symphony.