By All Means Break The Rules.

My Own View Is That Violence Is A Part Of Classical Haida Literature - And Of Every Mythology Everywhere, So Far As I Can Tell - Because It's Part Of Life Itself. In The World Of The Hamburger Stand And The Supermarket, Or The Vegan Café And The Ashram, You Might Try To Tell Yourself It's Possible To Be Nonviolent. In A Hunting And Gathering Society, Violence Is More Difficult To Hide.

The Claim That Myth Is Always A Narrative Spin-off Of Ritual; The Claim That Myth Is The Projection Of Human Anxieties Onto A Cosmological Scrim; The Claim That Myths Are Invented To Give Sanction To Human Predilections And Institutions... These Are Ways Of Trivializing A Mode Of Thought That Has Served Humanity Well For A Very Long Time.

Russian Literature, Like Colonial Canadian Literature, Comes With A Lot Of Landscape Backdrop.

We're Into The Era Of Desktop Bureaucracy, Where People Sit At Computers Building Websites And Analyzing Data Rather Than Listening Or Reading.

In A World Rife With Unsolicited Messages, Typography Must Often Draw Attention To Itself Before It Will Be Read. Yet In Order To Be Read, It Must Relinquish The Attention It Has Drawn. Typography With Anything To Say Therefore Aspires To A Kind Of Statuesque Transparency. It's Other Traditional Goal Is Durability: Not Immunity To Change, But A Clear Superiority To Fashion. Typography At Its Best Is A Visual Form Of Language Linking Timelessness And Time.