Besides, Rereading, Not Reading, Is What Counts.

I Think Of Myself Primarily As A Reader, Then Also A Writer, But That's More Or Less Irrelevant. I Think I'm A Good Reader, I'm A Good Reader In Many Languages, Especially In English, Since Poetry Came To Me Through The English Language, Initially Through My Father's Love Of Swinburn, Of Tennyson, And Also Of Keats, Shelley And So On - Not Through My Native Tongue, Not Through Spanish. It Came To Me As A Kind Of Spell. I Didn't Understand It, But I Felt It.

Censorship Is The Mother Of Metaphor.

Of All Man’s Instruments, The Most Wondrous, No Doubt, Is The Book. The Other Instruments Are Extensions Of His Body. The Microscope, The Telescope, Are Extensions Of His Sight; The Telephone Is The Extension Of His Voice; Then We Have The Plow And The Sword, Extensions Of The Arm. But The Book Is Something Else Altogether: The Book Is An Extension Of Memory And Imagination.

As A Boy, I Used To Marvel That The Letters In A Closed Book Did Not Get Scrambled And Lost Overnight.

I Confess That I Have Not Cleared A Path Through All Seven Hundred Pages, I Confess To Having Examined Only Bits And Pieces, And Yet I Know What It Is, With That Bold And Legitimate Certainty With Which We Assert Our Knowledge Of A City, Without Ever Having Been Rewarded With The Intimacy Of All The Many Streets It Includes.