At Four Lines, With The Quatrain, We

I've Not Been A Prolific Poet, And It Always Seemed To Me To Be A Bad Idea To Feel That You Had To Produce In Order To Get... Credits. Production Of A Collection Of Poems Every Three Years Or Every Five Years, Or Whatever, Looks Good, On Paper. But It Might Not Be Good; It Might Be Writing On A Kind Of Automatic Pilot.

The Composer Does Not Want The Self-sufficiency Of A Richly Complex Text: He Or She Wants To Feel That The Text Is Something In Need Of Musical Setting.

English Poetry Begins Whenever We Decide To Say The Modern English Language Begins, And It Extends As Far As We Decide To Say That The English Language Extends.

For Poets Today Or In Any Age, The Choice Is Not Between Freedom On The One Hand And Abstruse French Forms On The Other. The Choice Is Between The Nullity And Vanity Of Our First Efforts, And The Developing Of A Sense Of Idiom, Form, Structure, Metre, Rhythm, Line - All The Fundamental Characteristics Of This Verbal Art.

Saigon Was An Addicted City, And We Were The Drug: The Corruption Of Children, The Mutilation Of Young Men, The Prostitution Of Women, The Humiliation Of The Old, The Division Of The Family, The Division Of The Country-it Had All Been Done In Our Name. . . . The French City . . . Had Represented The Opium Stage Of The Addiction. With The Americans Had Begun The Heroin Phase.