As Much As I Am One For

I Don't Want To Be Lofty When I Say This, But I Don't Know What A Success Is Any More. I Know How We Define It, But That Was A Moment Where I Went, "wait, Who Am I?" You Could Feel The Business, In Particular, Kind Of Go "he's All Right, Let's Go Over Here." I Started To Go, "wait, I Know Why I Love To Do This." I Think I Got Off Track In Why I Love To Do It.

We Are All From Different Cultures. Heath's [ledger] Australian, Really. I'm From Here. Ang's [lee] From China. But I Think Ang Gets Very Close In Preproduction And Rehearsals. And Then He Allows His Actors - I Don't Think Scared Of Actors, But I Think He's Scared Of Getting In On The Scenes He's Watching. The Space He's Watching. So He Just Totally Disconnects From You While You're Shooting.

I Understand The Opposite Side Of The Camera. I Have A Profound Respect For That. I Have Worked With People Who, When You Hit That Mark, Are Doing 50 Percent Of Your Work For You. So, You Know, It's A Balance. When You Walk Into A Mark And You're Lit A Certain Way Or Something's Happening So Often You Don't Know What's Behind You... And That's What's So Strange About Being A Movie Actor.

You Can’t Just Lump Things Into Two Categories. Things Aren’t That Simple.

When You Find Theater Writing Like In The Theater On Film But It's Realistic, It Doesn't Matter Who The Character Is, You Want To Do It.