As I Say, I As An Abstract

Painting... In Which The Inner And The Outer Man Are Inseparable, Transcends Technique, Transcends Subject And Moves Into The Realm Of The Inevitable.

One Could Go On For Ever As To Whether The Paint Should Be Thick Or Thin, Whether To Paint The Woman Or The Square, Hard-edge Or Soft, But After A While Such Questions Become A Bore. They Are Merely Problems In Aesthetics, Having Only To Do With The Outer Man.

I Think Every Once In A While I Feel The Need To Break My Medium... If I Have Been Doing A Very Large Painting I Like To Drop Into Something In Small Scale. It Is A Challenge To Go Into This Size. It Is Just To Hold My Own Interest, And Then Each Media Has Its Own Conditions.

As I Say, I As An Abstract Artist Was Active Politically.

Painting, For Me, When It Really 'happens,' Is As Miraculous As Any Natural Phenomenon - As Say, A Lettuce Leaf. By 'happens,' I Mean The Painting In Which The Inner Aspect Of Man And His Outer Aspects Interlock.