Animation Is Manipulating The Difference.

I Have Tried To Preserve In My Relationship To The Film The Same Closeness And Intimacy That Exists Between A Painter And His Canvas.

And So My Militant Philosophy Is This: To Make With A Brush On Canvas Is A Simple Direct Delight-to Make With The Movie Is The Same.

Animation Is Manipulating The Difference.

By Drawing Or Exposing Two Or More Patterns On The Same Bit Of Film I Can Create Harmony And Textual Effects.

Take A Film Of Jacques Tati Like Mon Oncle Which Has Something Quite New - For Me, Unique - In It.