All Violence Is The Illustration Of A

I Think That Art Is Still A Site For Resistance And For The Telling Of Various Stories, For Validating Certain Subjectivities We Normally Overlook. I'm Trying To Be Affective, To Suggest Changes, And To Resist What I Feel Are The Tyrannies Of Social Life On A Certain Level.

I Have Frequently Said, And I Will Repeat Again, In The Manner Of Any Well-meaning Seriality, That I'm Interested In Mixing The Ingratiation Of Wishful Thinking With The Criticality Of Knowing Better.

I'm Trying To Deal With Ideas About Histories, Fame, Hearsay, And How Public Identities Are Constructed.

I Think That The Exactitude Of The Photograph Has A Sort Of Compelling Nature Based In Its Power To Duplicate Life. But To Me The Real Power Of Photography Is Based In Death: The Fact That Somehow It Can Enliven That Which Is Not There In A Kind Of Stultifying Frightened Way, Because It Seems To Me That Part Of One's Life Is Made Up Of A Constant Confrontation With One's Own Death.

What I'm Trying To Do Is Create Moments Of Recognition.