All Plays Are Social Comment To One

What People Really Want In The Theater Is Fantasy Involvement And Not Reality Involvement.

The Notion That Women Are Less Aesthetically Profound And Innovative Than Men--just Not Very Important, If You Know What I Mean--doubtless Spreads Back To Our Beginnings As Upright Animals: The Males Hunted And Killed For The Family While The Females Stayed Home In The Cave And Tended The Strange Little Creatures They Were Giving Birth To.

The Playwright, Along With Any Writer, Composer, Painter In This Society, Has Got To Have A Terribly Private View Of His Own Value, Of His Own Work. He's Got To Listen To His Own Voice Primarily. He's Got To Watch Out For Fads, For What Might Be Called The Critical Aesthetics.

You Want To Dance With Me, Angel Tits?

Everybody Wants To Go See The Big Hit [at The Theatre]. Not Because It's Any Good. Because It's The Big Hit And Everybody Wants To Be Able To Talk About The Big Hit.