All Plays Are Social Comment To One

The Most Profound Indication Of Social Malignancy ... No Sense Of Humor. None Of The Monoliths Could Take A Joke.

Who's Afraid Of Virginia Woolf?

A Rather Ugly Thing Starts Happening: The Playwright Finds Himself Knocked Down For Works That Quite Often Are Just As Good Or Better Than The Works He's Been Praised For Previously. And A Lot Of Playwrights Become Confused By This And They Start Doing Imitations Of What They've Done Before, Or They Try To Do Something Entirely Different, In Which Case They Get Accused By The Same Critics Of Not Doing What They Used To Do So Well.

I Suppose If You Simplify Things, It's Going To Make It Easier To Understand.

I Don't Set Out To Write A Play A Year. Sometimes I've Written Two Plays A Year. There Was A Period Of A Year And Half When I Only Wrote Half A Play. If It Depresses Some Critics That I Seem Prolific, Well, That's Their Problem As Much As Mine.