A Stage Space Has Two Rules: (1)

I've Always Worked A Bit Like A Cook In A Big Restaurant, Where You've Got Lots And Lots Of Things Laid Out And You Go And Look Into One Cauldron And You Look Into The Other And You See What's Coming To The Boil.

In The Theatre, Every Form Once Born Is Mortal; Every Form Must Be Reconceived, And Its New Conception Will Bear The Marks Of All The Influences That Surround It.

Shakespeare Doesn't Belong To The Past. If His Material Is Valid, It Is Valid Now. It's Like Coal. The Only Meaningfulness Of A Piece Of Coal Starts And Finishes With Its Combustion, Giving Us Light And Heat. And That To Me Is Shakespeare.

I Am Ready To Disclaim My Opinion, Even Of Yesterday, Even Of 10 Minutes Ago, Because All Opinions Are Relative. One Lives In A Field Of Influences, One Is Influenced By Everyone One Meets, Everything Is An Exchange Of Influences, All Opinions Are Derivative. Once You Deal A New Deck Of Cards, You've Got A New Deck Of Cards.

Drama Is Exposure; It Is Confrontation; It Is Contradiction And It Leads To Analysis, Construction, Recognition And Eventually To An Awakening Of Understanding.