A Prototype Is Always More Expensive Than

It's Not Usually That Great Of An Idea To Read Lots Of Reviews Of Your Movies, Because Even If Somebody's Saying Nice Things, There'll Still Be Something In There That Pushes The Wrong Button, And It's Not Really That Helpful.

If Somebody Asks Me About The Themes Of Something I'm Working On, I Never Have Any Idea What The Themes Are. . . . Somebody Tells Me The Themes Later. I Sort Of Try To Avoid Developing Themes. I Want To Just Keep It A Little Bit More Abstract. But Then, What Ends Up Happening Is, They Say, 'well, I See A Lot Here That You Did Before, And It's Connected To This Other Movie You Did,' And . . . That Almost Seems Like Something I Don't Quite Choose. It Chooses Me.

Sometimes When You're Editing A Movie, You Have The Thing That You Don't Expect - Which Is You Make It Longer And Longer As You Go Along.

When Something Is Discovered By People In Movie Theaters, It's Discovered By People Who Are All Together, And There's A Sort Of Feeling Of An Event About It. And When It's On Video, It's Like Something Is Being Discovered In The Library Or Something. It's Like Having A Second Life In Public Libraries. It's Just Like Individuals, And It's Less Of A... We Can't Participate In It The Same Way.

I Didn't Think So Much Of Him At First. But Now I Get It: He's Everything That I'm Not.