A Person Is A Process, One That

An Author Frequently Chooses Solemn Or Overwhelming Subjects To Write About; He Is So Impressed At Writing About Life And Death That He Does Not Notice That He Is Saying Nothing Of The Slightest Importance About Either.

Underneath All His Writing There Is The Settled Determination To Use Certain Words, To Take Certain Attitudes, To Produce A Certain Atmosphere; What He Is Seeing Or Thinking Or Feeling Has Hardly Any Influence On The Way He Writes. The Reader Can Reply, Ironically, "that's What It Means To Have A Style"; But Few People Have So Much Of One, Or One So Obdurate That You Can Say Of It, "it Is A Style That No Subject Can Change.

First One Gets Works Of Art, Then Criticism Of Them, Then Criticism Of The Criticism, And, Finally, A Book On The Literary Situation , A Book Which Tells You All About Writers, Critics, Publishing, Paperbacked Books, The Tendencies Of The (literary) Time, What Sells And How Much, What Writers Wear And Drink And Want, What Their Wives Wear And Drink And Want, And So On.

An Intelligent Man Said That The World Felt Napoleon As A Weight, And That When He Died It Would Give A Great Oof Of Relief. This Is Just As True Of Byron, Or Of Such Byrons Of Their Days As Kipling And Hemingway: After A Generation Or Two The World Is Tired Of Being Their Pedestal, Shakes Them Of With An Oof, And Then - Hoisting Onto Its Back A New World-figure - Feels The Penetrating Satisfaction Of Having Made A Mistake All Its Own.

We Are All So To Speak Intellectuals About Something.