A Film Needs More Than You Can

In Any Case, Once You're Dealing On A Nonverbal Level, Ambiguity Is Unavoidable. But It's The Ambiguity Of All Art, Of A Fine Piece Of Music Or A Painting - You Don't Need Written Instructions By The Composer Or Painter Accompanying Such Works To 'explain' Them. “explaining” Them Contributes Nothing But A Superficial 'cultural' Value Which Has No Value Except For Critics And Teachers Who Have To Earn A Living.

If You Can Talk Brilliantly About A Problem

You're Constantly Changing Man. But The Film's Not Changing. The Film Stays The Same. That's The Beautiful Aspect Of It.

I've Got A Peculiar Weakness For Criminals And Artists. Neither Takes Life As It Is. Any Tragic Story Has To Be In Conflict With Things As They Are.

In His Essay On The Uncanny, Das Unheimliche, Freud Said That The Uncanny Is The Only Feeling Which Is More Powerfully Experienced In Art Than In Life. If The Horror Genre Required Any Justification, I Should Think This Alone Would Serve As Its Credentials.