You're One Microscopic Cog In His Catastrophic

There Are Times When I Think I Can Sing It Better, But Usually I Find That I Can't.

People Often Can't Separate, Or Can't Understand, That To Be Funny Is To Be Serious; It's A Way Of Pulling People In And Not Scaring Them Off. I Think A Lot Of The Funny Stuff, Underneath It, There's A Deep Anxiety Going On.

Love Songs Come In Many Guises And Are Seemingly Written For Many Reasons – As Declarations Or To Wound – I Have Written Songs For All Of These Reasons – But Ultimately The Love Songs Exist To Fill, With Language, The Silence Between Ourselves And God, To Decrease The Distance Between The Temporal And The Divine.

What I Think About When I Frequent The Museum Of Natural History, The Metropolitan [museum Of Art], And I Look At These Artifacts That Are Taken Out Of Context And How We're Forced To View Them As Objects, As Relics, As Sculpture- Static. But What's Interesting Is What It Allows Me To Do In My Head In Terms Of Imagining What The Possibilities Are Or Imagining The Role In Which They Played Within A Particular Culture Which I'm Fascinated By.

I Don't Think Hollywood Makes Many Good Films Anymore. How Many Directors Can You Really Trust To Have An Artistic Vision, Not A Corporate Vision Or A Watered-down Communal One?