You Write A Scene, And It Works

The Songs That I Like Are The Ones That You Can't Visualize, That Are Just Cries From The Heart - Those Very Straight, Direct Songs That Make Rock & Roll Music So Wonderful.

When I Start Writing Songs, And They Come Easily, I'm Always Very Suspicious. That Usually Means They're Reminding Me Of Something I've Already Done Before. When The Songs Become Unsettling, And I Feel Anxious About What I'm Doing, That Usually Means It's Going To Be More Interesting Later On When We Actually Record The Stuff.

I'm Very Happy To Hear That My Work Inspires Writers And Painters. It's The Most Beautiful Compliment, The Greatest Reward. Art Should Always Be An Exchange.

The Reason I've Gotten Into Script-writing, Which Was Accidental To Begin With, Was That I Found It Was A Far More Effective Medium For Violence. Which Is Something That I'd Always Written In Songs, But The Violence Always Sat Strangely Within A Song. And I Was Always Interested In The Way In Which You Listen To Murder Ballads And Things Like That - These Weird Lines Would Kind Of Come Out, Like, I Drug Her By The Hair Or Something - That Sat Weirdly In The Song. Film Seems To Be A Medium Designed For Betrayal And Violence.

There's An Element To Songwriting That I Can't Explain, That Comes From Somewhere Else. I Can't Explain That Dividing Line Between Nothing And Something That Happens Within A Song, Where You Have Absolutely Nothing, And Then Suddenly You Have Something. It's Like The Origin Of The Universe.