You Need Language For Thought, And You

Nah, I've Done Sex Scenes Before, You Know, Like In Video.

For Me, It's Just A Normal Artistic Endeavour To Explore The Dark Side. Certainly, I'm Not Alone In It. Artists Generally Don't Like To Accept The Version Of Reality That Society And Culture Hand Them. They Want To Know What's Really Going On. So You're Always Looking In The Ceilings, Under The Floorboards And Behind The Walls, Trying To Find The Mechanisms, The Structures, And The Truth. I Find That Often Leads You Into Some Dark Places.

Anybody Who Comes To The Cinema Is Bringing They're Whole Sexual History, Their Literary History, Their Movie Literacy, Their Culture, Their Language, Their Religion, Whatever They've Got. I Can't Possibly Manipulate All Of That, Nor Do I Want To.

I Have No Rules. For Me, It's A Full, Full Experience To Make A Movie. It Takes A Lot Of Time, And I Want There To Be A Lot Of Stuff In It. You're Looking For Every Shot In The Movie To Have Resonance And Want It To Be Something You Can See A Second Time, And Then I'd Like It To Be Something You Can See 10 Years Later, And It Becomes A Different Movie, Because You're A Different Person. So That Means I Want It To Be Deep, Not In A Pretentious Way, But I Guess I Can Say I Am Pretentious In That I Pretend. I Have Aspirations That The Movie Should Trigger Off A Lot Of Complex Responses.

Since I See Technology As Being An Extension Of The Human Body, It's Inevitable That It Should Come Home To Roost.