You Know What I'd Really, Really Like?

Plot Exposition That Can Be Gently Wound Out By The Authorial Voice And Internal Monologue Of A Character In The Length Of A Page Has To Be Delivered In A Matter Of Seconds On The Stage.

Oh. I See. People Don't Want To See What Can't Possibly Exist.

And What Do You Really Do? Asked Tiffany. The Thin Witch Hesitatied For A Moment, And Then: We Look To ... The Edges, Said Mistress Weatherwax. There's A Lot Of Edges, More Than People Know. Between Life And Death, This World And The Next, Night And Day, Right And Wrong ... An' They Need Watchin'. We Watch 'em, We Guard The Sum Of Things. And We Never Ask For Any Reward. That's Important.

It Was A Backwards Memory Of An Event In His Future So Terrifying That It Had Generated Harmonics Of Fear All The Way Along His Lifeline.

I Don't See What's So Triffic About Creating People As People And Then Gettin' Upset Cos' They Act Like People", Said Adam Severely. "anyway, If You Stopped Tellin' People It's All Sorted Out After They're Dead, They Might Try Sorting It All Out While They're Alive.