You Know, I Could Have Carried You.

It's Like The Query Letter Problem That I Just Mentioned, Magnified A Hundredfold. You Might Be Good At Telling A Story, But That Doesn't Mean You Know Anything About Marketing. Or Layout. Or Editing. Or Publicity. Or Selling Your Books For Foreign Markets.everyone Can Point To A Few Examples Of People That Have Done Very Well For Themselves Self-publishing. But Honestly, Those Folks Are Lucky As Lottery Winners.

But It Isn’t A Rough Draft Either. The One I Turned In Several Months Ago Was Rough. There Were Some Bad Plot Holes, Some Logical Inconsistencies, Pacing Problems, And Not Nearly Enough Lesbian Unicorns.

The Cost Of A Loaf Is A Simple Thing, And So A Loaf Is Often Sought, But Some Things Are Past Valuing: Laughter, Land, And Love Are Never Bought.

The Thing That Helps Me Do A Good Job Is That I Don't Feel The Need To Explain Everything About The World To My Reader. I'm Not Writing A History Text On The Four Corners. I'm Telling A Story That's Set There. The Setting Belongs In The Background For The Most Part, And It's Easy For Fantasy Authors To Forget That. That's One Of The Unfortunate Parts Of Tolkien's Legacy, In My Opinion. Read The First Hundred Pages Of The Fellowship Of The Ring And You Start To Get Pissed, "shut Up About The Shire's Museums! Isn't The World Supposed To Be In Peril Or Something?"

When We Are Children We Seldom Think Of The Future. This Innocence Leaves Us Free To Enjoy Ourselves As Few Adults Can. The Day We Fret About The Future Is The Day We Leave Our Childhood Behind.