You Know How It Is When Two

America Is Proud Of What It Does To Its Writers, The Way It Breaks And Bedevils Them, Rendering Them Deluded Or Drunken Or Dead By Their Own Hands. To Overpower Its Tender Spirits Makes America Feel Tough. Careers Are Generally Short.

When The Sky Is As Grey As This - Impeccably Grey, A Denial, Really Of The Very Concept Of Colour - And The Stooped Millions Lift Their Heads, It's Hard To Tell The Air From The Impurities In Our Human Eyes, As If The Sinking Climbing Paisley Curlicues Of Grit Were Part Of The Element Itself, Rain, Spores, Tears, Film, Dirt. Perhaps, At Such Moments, The Sky Is No More Then The Sum Of The Dirt That Lives In Our Human Eyes.

I Would Say That The Writers I Like And Trust Have At The Base Of Their Prose Something Called The English Sentence. An Awful Lot Of Modern Writing Seems To Me To Be A Depressed Use Of Language. Once, I Called It "vow-of-poverty Prose." No, Give Me The King In His Countinghouse. Give Me Updike.

The Arms Race Is A Race Between Nuclear Weapons And Ourselves.

My Theory Is - We Don’t Really Go That Far Into Other People, Even When We Think We Do. We Hardly Ever Go In And Bring Them Out. We Just Stand At The Jaws Of The Cave, And Strike A Match, And Ask Quickly If Anybody’s There.