You End Up Loving Every Character That

Things Either Become Unclear In A Story Or They're Just Ambiguous With No Real Point. So Defined Gray Area With Clarity That Also Works In The Narrative, That's Tricky.

A Lot Of Acting Is Working With Your Own Psyche In Order To Allow Yourself To Be Open And Reveal Yourself. But Then Of Course There's A Healthy Part Of You That Says, "well, Don't Do That." You Know, You're Going To Be In Front Of People. You Could Look Foolish. You Could Get It Wrong. You Could Be Too Big Or Too Small Or Not Realistic Or Whatever Those Things Are. People Might Criticize You. There's All Kinds Of Reasons Not To Be Open. But You Do Want To Be Open.

All Of Modern Acting Comes From Stanislavski, Who Was The Russian Partner To Chekhov. When Chekhov Was Writing His Plays, Stanislavski Was Running His Theater. And Stanislavski Really Was The First Inventor Of Modern Acting And Then Everything That Came Out Of The Method And Stella Adler And The Great Teachers Really Came Out Of Him.

I Like That I've Been Through Things, That When Something Happens, It Resonates With Something That Already Happened. It's Not That Things Like Loss Are More Or Less Painful. But They're Deeper. I Find That Fascinating.

Some People Say Talent Is Energy And That's A Very Interesting Way Of Thinking About It. In Other Words, People With Talent Have A Lot Of Energy.