You End Up Loving Every Character That

Sometimes People Don't Rehearse At All, But You Might Have Had A Chance To Rehearse For A Few Days, Or Even More Than That. Then In The Moment When The Camera's Running Is The Only Time It Matters. So Whatever You've Discussed Or Thought About Or Discussed With The Director, The Other Actors, Hopefully There's A Part Of The Experience That You've Left Open So That Only In That Moment The Camera Catches It. That's Of Course The Hardest Thing To Do Because Everything Is Planned And You Have Thought About It In Advance.

Right Now, I Love The Fact That I Have So Many Opportunities, But I Know This Privileged Position Cannot Last. That Doesn't Mean That I'll Stop Working. I Picture Myself As An Old Actress Doing Cameos In Films With People Saying: "isn't That That Bening Woman?"

We're Not All Evil Or All Good, And We All Make Mistakes To One Degree Or Another.

Modern Acting Is Method Acting, Most Of It. And There Are Sort Of Different Schools, So I Guess I'm Not Really From One School Or Another. I Had A Number Of Different Teachers But They Were All Kind Of Drawing From The Same Pool, Which Is - What Do You Want? What Are You Doing To Get What You Want? And, What Is In The Way? These Are Basic Acting Questions. Knowing The Answers To Those Questions. So You're Talking About Objectives And Actions And Obstacles. That's A Sort Of Shorthand That Gives You A Language.

A Lot Of Acting Is Working With Your Own Psyche In Order To Allow Yourself To Be Open And Reveal Yourself. But Then Of Course There's A Healthy Part Of You That Says, "well, Don't Do That." You Know, You're Going To Be In Front Of People. You Could Look Foolish. You Could Get It Wrong. You Could Be Too Big Or Too Small Or Not Realistic Or Whatever Those Things Are. People Might Criticize You. There's All Kinds Of Reasons Not To Be Open. But You Do Want To Be Open.