You Draw The Character From All Angles

I Wrote The Plot [for The Persepolis ]and Vincent [paronnaud] And I Wrote And Discussed The Shooting Of The Script. Vincent Then Took Care Of The Production Design, The Actual Shooting, And What Was Going On Within Each Scene. It's Very Difficult, Though, To Draw A Line Between Who Did What. Because Vincent Would Say Something, And I Would Add Something, And At The End You Have This Film, Yet No Clear Idea Of Who Did What.

Once Again, I Arrived At My Usual Conclusion: One Must Educate Oneself.

Imagine If I Cannot Stand Someone And Every Day He Is Here In My Face, Then I Cannot Work. Then, The Whole Time, I Am Thinking "i Hate Him, I Hate Him." But If I Love Him Or I Love Her, Then I Can Do Anything, Then I Am Comfortable. That's Why It's So Important To Be Surrounded By People That You Really Like.

To Tell You The Truth, I Never Wanted To Become A Moviemaker. It Was Like I Was A Cinepihile, And I Go, Like, Three Or Four Times Per Week To The Cinema, And I Like To Watch Films.

You Draw The Character From All Angles - Side, Profile, Back, Etc. So The Animator Has This Character In All The Ways It Looks Like.