You Don't Have To Act As If

What People Call Unemotional Just Doesnt Have A Single Overriding Emotion To It. The Things That I Like Best Are The Ones That Ambiguous On The Emotional Level.

I Never Wanted To Write The Sort Of Song That Said, 'look At How Abnormal And Crazy And Out There I Am, Man!'

There Are Certain Sounds That I've Found Work Well In Nearly Any Context. Their Function Is Not So Much Musical As Spatial: They Define The Edges Of The Territory Of The Music.

I've Noticed A Terrible Thing, Which Is I Will Agree To Anything If It's Far Enough In The Future.

The Problem With Computers Is That There Is Not Enough Africa In Them.