You Don't Go - Oh This Is

There Are No Rhymes Or Reason, Actually. Having Said That, You Know, Cause There Are People Who Are Absolutely Single-minded About Their Process And They Can Still Come Up With Great Work. But (what) I Enjoy And It's The Same, I Suppose, As I Became More Of A Family Man, I Enjoy, I Enjoy An Atmosphere Where It, You Know, Doesn't Have To Be About Conflict To Get Good Results.

The Wonderful Thing About 48 Fps Is The Integration Of Live Action And Cg Elements; That Is Something I Learned From 'the Hobbit.' We Are So Used To 24 Fps And The Romance Of Celluloid But At 48 Fps, You Cannot Deny The Existence Of These Cg Creations In The Same Time Frame And Space And Environment As The Live Action.

That's What I Think Is The Biggest Challenge, Is Just Being Still And Learning How To Just Be Present In That Stillness And Not Over Do It, Not Over Act.

Not A Day Goes By Where I'm Not Reminded Of Gollum By Some Person In The Street Who Asks Me To Do His Voice Or Wants To Talk To Me About Him. But Because 'the Hobbit' Has Been Talked About As A Project For Many Years, I Knew That At Some Point I'd Have To Reengage With Him.

There's This Whole Grey Area Seemingly Every Time It's Talked About Animators And Who Takes Ultimate Responsibility For The Characters [of The Planet Of The Apes] But Without Question And I'll Go Down Saying This Year After Year, These Characters Are Authored By What We Do On Set. They Are Not Authored By Animators.