You Are Always Born Under The Wrong

When All The Archetypes Burst Out Shamelessly, We Plumb The Depths Of Homeric Profundity. Two Clichés Make Us Laugh But A Hundred Clichés Moves Us Because We Sense Dimly That The Clichés Are Talking Among Themselves, Celebrating A Reunion. . . . Just As The Extreme Of Pain Meets Sensual Pleasure, And The Extreme Of Perversion Borders On Mystical Energy, So Too The Extreme Of Banality Allows Us To Catch A Glimpse Of The Sublime.

If Somebody Writes A Book And Doesn't Care For The Survival Of That Book, He's An Imbecile.

As An Adolescent I Wrote Comic Books, Because I Read Lots Of Them, And Fantasy Novels Set In Malaysia And Central Africa.

Until Then I Had Thought Each Book Spoke Of The Things, Human Or Divine, That Lie Outside Books. Now I Realized That Not Infrequently Books Speak Of Books: It Is As If They Spoke Among Themselves. In The Light Of This Reflection, The Library Seemed All The More Disturbing To Me. It Was Then The Place Of A Long, Centuries-old Murmuring, An Imperceptible Dialogue Between One Parchment And Another, A Living Thing, A Receptacle Of Powers Not To Be Ruled By A Human Mind, A Treausre Of Secrets Emanated By Many Minds, Surviving The Death Of Those Who Had Produced Them Or Had Been Their Conveyors.

The Print Does Not Always Have The Same Shape As The Body That Impressed It, And It Doesn't Always Derive From The Pressure Of A Body. At Times It Reproduces The Impression A Body Has Left In Our Mind: It Is The Print Of An Idea.