Writing A Screenplay, I'm Like, "all I'm

When You See Somebody Who's Got A Complaining Personality, It Usually Means That They Had Some Vision Of What Things Could Be, And They're Constantly Disappointed By That. I Think That Would Be The Camp That I Would Fall Into - Constantly Horrified By The Things People Do.

You Have To Find The Tone Of The Piece And Modulate That. There Are Ways To Indicate That - I Try To Incorporate The Biggest Range I Can Within The Story, Going From Humorous To Serious Without It Being Jarring. That's The Hardest Part, To Keep That Balance. It Requires Being Constantly Aware Of Where You Are In The Story. You Can't Really Do That In A Movie: You Can't Slightly Modulate The Tone By The Way The Character's Eyeballs Look In One Certain Scene.

Face It, You Hate Every Single Boy On The Face Of The Earth!" "that's Not True, I Just Hate All These Obnoxious, Extroverted, Pseudo-bohemian Art-school Losers

In A Movie, You Have To Be Mindful That No Budget Is Going To Be Able To Deal With Running Around The Globe At Every Whim Of The Writer.

It's Embarrassing To Be Involved In The Same Business As The Mainstream Comic Thing. It's Still Very Embarrassing To Tell Other Adults That I Draw Comic Books - Their Instant, Preconceived Notions Of What That Means.