Without Translation, I Would Be Limited To

The Close-up Has No Equivalent In A Narrative Fashioned Of Words. Literature Is Totally Lacking In Any Working Method To Enable It To Isolate A Single Vastly Enlarged Detail In Which One Face Comes Forward To Underline A State Of Mind Or Stress The Importance Of A Single Detail In Comparison With The Rest. As A Narrative Device, The Ability To Vary The Distance Between The Camera And The Object May Be A Small Thing Indeed, But It Makes For A Notable Difference Between Cinema And Oral Or Written Narrative, In Which The Distance Between Language And Image Is Always The Same.

What He Sought Was Always Something Lying Ahead, And Even If It Was A Matter Of The Past It Was A Past That Changed Gradually As He Advanced On His Journey, Because The Traveller's Past Changes According To The Route He Has Followed: Not The Immediate Past, That Is, To Which Each Day That Goes By Adds A Day, But The More Remote Past. Arriving At Each New City, The Traveller Finds Again A Past Of His That He Did Not Know He Had: The Foreignness Of What You No Longer Are Or No Longer Possess Lies In Wait For You In Foreign, Unpossessed Places.

One Reads Alone, Even In Another's Presence.

The Book I'm Looking For,' Says The Blurred Figure, Who Holds Out A Volume Similar To Yours, 'is The One That Gives The Sense Of The World After The End Of The World, The Sense That The World Is The End Of Everything That There Is In The World, That The Only Thing There Is In The World Is The End Of The World.

Knowledge Of The World Means Dissolving The Solidity Of The World.