Why We Are Here Is An Impenetrable

Few Sensible Authors Are Happy Discussing The Creative Process--it Is, After All, Black Magic.

There Are Always Going To Be More Actors Than Anybody Can Ever Use.

I Think It's For The Critics To Decide Whether Or Not Their Loathing Of The Play Is Based On Something Other Than The Play's Merits Or Demerits. They Must Search Their Own Souls, Or Whatever.

It Is Not Enough To Hold The Line Against The Dark. It Is Your Responsibility To Lead Into The Light. People Don't Like The Light--it Reveals Too Much. But Hand In Hand With The Creative Artist, You Can Lead People Into The Wisdom That Is Known To All Other Animals: Simply, That It Is The Dark We Have To Fear.

The Playwright, Along With Any Writer, Composer, Painter In This Society, Has Got To Have A Terribly Private View Of His Own Value, Of His Own Work. He's Got To Listen To His Own Voice Primarily. He's Got To Watch Out For Fads, For What Might Be Called The Critical Aesthetics.