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Why Should The Lamp Or The House Be An Art Object But Not Our Life?
-Michel Foucault
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Why Should The Lamp Or The House
Michel Foucault
Why Should The Lamp Or The House Be An Art Object But Not Our Life?
Views: 19
Topic
Art
House
Lamps
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Sexual Behavior Is Not, As Is Too Often Assumed, A Superimposition Of, On The One Hand, Desires Which Derive From Natural Instincts, And, On The Other Hand, Of Permissive Or Restrictive Laws Which Tell Us What We Should Or Shouldn't Do. Sexual Behavior Is More Than That.
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Confined On The Ship, From Which There Is No Escape, The Madman Is Delivered To The River With Its Thousand Arms, The Sea With Its Thousand Roads, To That Great Uncertainty External To Everything. He Is A Prisoner In The Midst Of What Is The Freest, The Openest Of Routes: Bound Fast At The Infinite Crossroads. He Is The Passenger Par Excellence: That Is, The Prisoner Of The Passage. And The Land He Will Come To Is Unknown—as Is, Once He Disembarks, The Land From Which He Comes. He Has His Truth And His Homeland Only In That Fruitless Expanse Between Two Countries That Cannot Belong To Him.
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The 'enlightenment', Which Discovered The Liberties, Also Invented The Disciplines.
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Power Is Tolerable Only On Condition That It Mask A Substantial Part Of Itself. Its Success Is Proportional To Its Ability To Hide Its Own Mechanisms.
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[t]ruly To Escape Hegel Involves An Exact Appreciation Of The Price We Have To Pay To Detach Ourselves From Him. It Assumes That We Are Aware Of The Extent To Which Hegel, Insidiously Perhaps, Is Close To Us; It Implies A Knowledge, In That Which Permits Us To Think Against Hegel, Of That Which Remains Hegelian. We Have To Determine The Extent To Which Our Anti-hegelianism Is Possibly One Of His Tricks Directed Against Us, At The End Of Which He Stands, Motionless, Waiting For Us.
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