Who Is Invisible Enough To See You

Illegibility Of This World. All Things Twice Over. The Strong Clocks Justify The Splitting Hour, Hoarsely. You , Clamped Into Your Deepest Part, Climb Out Of Yourself For Ever.

Poetry Is Perhaps This: An Atemwende, A Turning Of Our Breath. Who Knows, Perhaps Poetry Goes Its Way—the Way Of Art—for The Sake Of Just Such A Turn? And Since The Strange, The Abyss And Medusa’s Head, The Abyss And The Automaton, All Seem To Lie In The Same Direction—is It Perhaps This Turn, This Atemwende, Which Can Sort Out The Strange From The Strange? It Is Perhaps Here, In This One Brief Moment, That Medusa’s Head Shrivels And The Automaton Runs Down? Perhaps, Along With The I, Estranged And Freed Here, In This Manner, Some Other Thing Is Also Set Free?

Death Is A Master From Germany.

Reachable, Near And Not Lost, There Remained In The Midst Of The Losses This One Thing: Language. It, The Language, Remained, Not Lost, Yes, In Spite Of Everything. But It Had To Pass Through Its Own Answerlessness, Pass Through Frightful Muting, Pass Through The Thousand Darknesses Of Deathbringing Speech. It Passed Through And Gave Back No Words For That Which Happened; Yet It Passed Through This Happening. Passed Through And Could Come To Light Again, “enriched” By All This.

The Poem Is Lonely. It Is Lonely And En Route. Its Author Stays With It. Does This Very Fact Not Place The Poem Already Here, At Its Inception, In The Encounter, In The Mystery Of Encounter?