Whether They Write Poems Or Don't Write

An Intelligent Man Said That The World Felt Napoleon As A Weight, And That When He Died It Would Give A Great Oof Of Relief. This Is Just As True Of Byron, Or Of Such Byrons Of Their Days As Kipling And Hemingway: After A Generation Or Two The World Is Tired Of Being Their Pedestal, Shakes Them Of With An Oof, And Then - Hoisting Onto Its Back A New World-figure - Feels The Penetrating Satisfaction Of Having Made A Mistake All Its Own.

Most Works Of Art Are, Necessarily, Bad...; One Suffers Through The Many For The Few.

There Are Some Good Things And Some Fantastic Ones In Auden's Early Attitude; If The Reader Calls It A Muddle I Shall Acquiesce, With The Remark That The Later Position Might Be Considered A More Rarefied Muddle. But Poets Rather Specialize In Muddles And I Have No Doubt Which Of The Muddles Was Better For Auden's Poetry: One Was Fertile And Usable, The Other Decidedly Is Not. Auden Sometimes Seems To Be Saying With Henry Clay, "i Had Rather Be Right Than Poetry"; But I Am Not Sure, Then, That He Is Either.

The Southern Past, The Southern Present, The Southern Future, Concentrated Into Gertrude's Voice, Became One Of Red Clay Pine-barrens, Of Chain-gang Camps, Of Housewives Dressed In Flour Sacks Who Stare All Day Dully Down Into Dirty Sinks.

It Is Better To Entertain An Idea Than To Take Home To Live With You For The Rest Of Your Life.