When You're Doing A Live-action Movie, You

Paris Is A Place Where, For Me, Just Walking Down A Street That I've Never Been Down Before Is Like Going To A Movie.

That's The Kind Of Movie That I Like To Make, Where There Is An Invented Reality And The Audience Is Going To Go Someplace Where Hopefully They've Never Been Before. The Details, That's What The World Is Made Of.

If I Have Ideas, I Want To Put Them In The Movie. It's Not A Minimalist Approach At All But I Feel Like It's For The Audience. It's About Seeing How Much Texture We Can Give It And Seeing How Many Things Are There For People To Latch On To... I Just Want To Do It The Way I Want And I Feel Like It Won't Be Helpful For Me If I Start Worrying About That. I Just Have To Follow My Instincts. Everyone Is Going To Respond Differently To It And Everybody's Right - That's Their Point Of View. That's How The Story Intersects With Their Lives.

Sometimes When You're Editing A Movie, You Have The Thing That You Don't Expect - Which Is You Make It Longer And Longer As You Go Along.

I Don't Really Wanna Think About Themes. I Wanna Just Think About The Experience Of The Movie. I Feel Like, As Soon As I Reduce It To A Theme, Once I Write That Sentence, It Won't Be That Great. I Feel Like There's More Potential For It To Mean Something Interesting If I'm Not Forcing It To Mean Something I've Already Decided.