When You Work With Somebody For A

The Limitations Are Limitless.

There's Some Quality You Get When You're Not Totally Comfortable.

Back Then, Pro Tools Only Had Four Or Eight Tracks, So We Couldn't Actually Hear All The Tracks. We Could Only Hear Eight At A Time, So If A Song Had 25 Or 30 Tracks, We Wouldn't Be Able To Hear It Until We Went Into The Studio An Put It All On Tape. The Process Was A Little Bit Backwards.

I'm More Critical Of My Songwriting Than Anybody, But I've Worked Really Hard In The Last Five To 10 Years To Improve.

Every Band I Knew Or Played With Had Flyers And Properly-recorded Demos And Contacts; I Couldn't Even Get A Gig.